I am always aware what’s happening in this society. And if there is a significant event like 9/11 or a shuttle exploded just recently, I like to introduce those social and cultural events in my painting. . . . [M]y painting is definitely based on real life and fantasy. I weave through opposite forms . . . eventually I can orchestrate a visual symphony.
Masami Teraoka, in Lynda Hess, Cloning Eve and Geisha (San Francisco: Catherine Clark Gallery, 2003), DVD.